![]() Several levels were very different, including one level where Aladdin must escape from the Cave of Wonders on Carpet and another where he must jump across the Agrabah's rooftops. The game mostly involves killing enemies with basic swordplay and jumping across ledges. The process successfully compressed the data from the animator's drawings into the limited processing capacity of the Sega Mega Drive. This was achieved by use of the "Digicel" process - developed at Virgin Interactive by David Perry, Andy Astor, Mike Dietz, Andy Luckey and Dr. ![]() It should be unsurprising, therefore, that the series of Disney games on the Genesis in the early 1990s capture the mood of classic Disney animation better than any before or since. Unlike the SNES version, the Genesis version was worked on by Disney animators under the supervision of Virgin's Animation Producer Andy Luckey and Virgin animators Mike Dietz and Ian Freedman. Griffin at the request of Virgin's audio director, Tommy Tallarico, who did the Genesis instruments and incidental transition music. Five original compositions and five arrangements from the movie were composed by Donald S. The platformer had remarkably fluid graphics for the time through the use of cel animation. ![]() “At least, it would prevent filmmakers from hurting someone unintentionally.Aladdin is game for the Sega Genesis designed by Virgin released in 1993, based on the Disney film Aladdin. “I hope this is the start of a process where filmmakers will consult with specific groups” in the development and production process, Bustany said. Studio officials said the ADC was told during the meeting that Disney had weighed input from the ADC and other organizations and already decided to change the lyric in “Arabian Nights.” In fact, ADC members had already been vocal critics of the pic.įurthermore, Disney disputes Bustany’s version of the events of the meeting. The changes would require expensive rewrites, remixing of sound and reanimation of the movie - an unrealistic business and artistic proposition for Disney.Īt a second meeting, a week later, Bustany said Disney offered a deal: It would change the “Arabian Nights” lyric if the ADC would not take its objections to the press before the October homevid release. communications professor Jack Shaheen and deejay Casey Kasem, the ADC asked for changes in the lyric and elimination of what they see as discriminatory accents, and that a scene of a merchant trying to lop off Princess Jasmine’s hand be cut out. In fact, Disney employed a number of Arab scholars and consultants.Īt a May 26 meeting among distribution prexy Cook, VP publicity Terry Press, ADC national prez Albert Mokhiber, regional director Nazih Bayda, Southern Illinois U. “There was no consideration given to how this would affect people of Arab origin,” Bustany said. Singer Brian Adler recorded both versions of the song, so Disney just dusted off some old master recordings to make the switch.īustany said the lyric changes are an olive branch offered by Disney after the ADC began to question “Aladdin’s” racial balance. The new lyrics, also penned by the late Academy Award-winning lyricist Howard Ashman, will be placed on the homevideo version of the movie, to be released Oct. ![]() Ironically, the majority of the townspeople in the movie are actually caricatures of Disney producers, directors and animators. “The irony in all of this is that this is the first movie in years where both the hero and heroine are Arabic, and both are obviously terrific role models, not just for Arabs but for everybody.”īustany said, “Probably the most demeaning thing to Arabs is that all of the townspeople, the merchants and guards and soldiers are depicted as mean and cruel.” Not so, said Disney distribution prez Dick Cook. “Can an Arab-American child feel good after seeing ‘Aladdin’? The answer is no.” “Every American child has a right to grow up feeling good about himself or herself,” said Bustany. The ADC official also leveled objections to the generic American elocution used by such favorable characters as Aladdin, Princess Jasmine and the benign Sultan.ĭisney countered that the really bad guy in “Aladdin,” Jafar, speaks with an English accent, while his conniving parrot, Iago, has a Brooklyn accent. The revised lines are: Where it’s flat and immenseĭon Bustany, president of the Los Angeles chapter of the ADC, said the two-line rewrite is not enough to reverse racism that the org sees depicted in the movie.
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